From the Book - 3rd edition.
Disc 1. Music as a mirror
Sources-the ancient world and the early church
Introduction to the Renaissance.
Disc 10. 19th-century Italian opera-"Bel Canto" opera
19th-century Italian opera-Giuseppe Verdi
19th-century German opera-nationalism and experimentation
19th-century German opera-Richard Wagner.
Disc 11. The concert overture, part 1
The concert overture, part 2
Romantic-era musical nationalism
Disc 12. An introduction to early 20th-century modernism
Early 20th-century modernism-Claude Debussy
Early 20th-century modernism-Igor Stravinsky
Early 20th-century modernism-Arnold Schonberg.
Disc 2. The Renaissance mass
An introduction to the Baroque era
Style features of Baroque-era music.
Disc 3. National styles-Italy and Germany
The Lutheran church cantata
Ritornello form and the Baroque concerto.
Disc 5. The enlightenment and an introduction to the Classical era
The Viennese classical style, homophony, and cadence
Classical-era form-theme and variations
minuet and trio: baroque antecedents.
Disc 6. Classical-era form-minuet and trio form
Classical-era form-rondo form
Classical-era form-sonata form, part 1
Classical-era form-sonata form, part 2.
Disc 7. Classical-era form-Sonata form, part 3
The Symphony-music for every person
Classical-era opera-the rise of opera buffs.
Disc 8. Classical-era opera, part 2-Mozart and the operatic ensemble
The French revolution and an introduction to Beethoven
Beethoven's symphony no.5 in C minor, op.67, part 1
Beethoven's symphony no.5 in C minor, op.67, part 2.
Disc 9. Introduction to romanticism
Formal challenges and solutons in early romantic music
The program symphony-Berlioz's "Symphonie fantstique," part 1
The program symphony-Berlioz's "Symphonie fantstique," part 2.
Vol. 1. Lecture 1. Music as a mirror
the ancient world and the early church
Lecture 4. Introduction to the Renaissance
Lecture 5. Renaissance mass
Lecture 7. Introduction to the Baroque era - Lecture 8. Style features of Baroque-era music.
Lecture 9. National styles
Italy and Germany - Lecture 10. Fugue
Lecture 11. Baroque opera, part 1.
Lecture 12. Baroque opera, part 2.
Lecture 14. Lutheran Church cantata
Lecture 16. Ritornello form and the Baroque concerto.
Lecture 17. Enlightenment and an introduction to the classical era
Lecture 18. Viennese classical style
Lecture 19. Classical-era form
Lecture 20. Classical-era form
minuet and trio: Baroque antecedents
Lecture 21. Classical-era form
Lecture 22. Classical-era form
Lecture 23. Classical-era form
Lecture 24. Classical-era form
Vol 2. Lecture 25. Classical-era form: sonata form, part 3.
Lecture 26. The symphony: music for every person
Lecture 27. The solo concerto
Lecture 28. Classical-era opera: the rise of opera buffa.
Lecture 29. Classical-era opera, part 2: Mozart and the operatic ensemble
Lecture 30. The French Revolution and an introduction to Beethoven
Lecture 31. Beethoven's Symphony no. 5 in C Minor, op. 67, part 1.
Lecture 32. Beethoven's Symphony no. 5 in C Minor, op. 67, part 2.
Lecture 33. Introduction to Romanticism
Lecture 34. Formal challenges and solutions in early romantic music
Lecture 35. The program symphony: Berlioz's Symphonie fantastique, part 1.
Lecture 36. The program symphony: Berlioz's Symphonie fantastique, part 2.
Lecture 37. 19th-century Italian opera: Bel Canto opera
Lecture 38. 19th-century Italian opera: Guiseppe Verdi
Lecture 39. 19th-century German opera: Nationalism and experimentation
Lecture 40. 19th-century German opera Richard Wagner.
Lecture 41. The concert overture, part 1.
Lecture 42. The concert overture, part 2
Lecture 43. Romantic-era musical nationalism
Lecture 44. Russian nationalism.
Lecture 45. An introduction to early 20th-century modernism
Lecture 46. Early 20th-century modernism: Claude Debussy
Lecture 47. Early 20th-century modernism: Igor Stravinsky
Lecture 48. Early 20th-century modernism: Arnold Schönberg.